Great song, but it's already in use by at least two strong European fliers... Gregory Raynes and Paul DeBakker.
The ideal ballet music for me, is laid out like this...
Starts medium, but strong.
Middle is softer, more "curved"...
End is medium/fast, very powerful, ends on a solid beat.
A great example is Bohemian Rhapsody by Queen... Awesome dynamics, but too long, and ugly if it's trimmed (everyone would feel it).
Looking for two strong, repeated sections with a crescendo and fall of some kind roughly one third of the way into the track, and another about two thirds of the way into the track... These are for risky, "trademark" moves.
Great idea, but I have so much going on this year, that I don't have the time or the patience... It's all got to come through the computer.
I've had the same experiences... However, my having a relatively small amount of music knowledge retention for song and group names doesn't help.
Oh, I don't know... I can generally tell on the first listen whether or not I've hit on one that will work for me.
Aye, problem is... So many of the soundtracks done in the last 10 years haven't been composed (choreographed) for the scenes, and are just "mood" selections pulled out of one mainstream music genre or another.
But, they come by now and then... I've already heard a couple of tracks I like and hadn't heard before, just from the input so far.
Keep it coming, if you've got something in mind.